Werner Nekes Filmes

The history of the magic lantern with demonstrations of moving slides, watertank or polarisation slides, followed by images on paper, which are...

"...Nekes retreats behind his film. What is left is a double portrait, in which neither Dore 0. nor the grand landscape remain unchanged. The cold of...

Hynningen (Swedish for ‘honey roof’) begins with long multiple exposures of a landscape with a clearing, opening up to the horizon.

Directed by Werner Nekes.

The film traces the history of the camera obscura, the understanding of perspective and anamorphosis, peepshows and it shows the beauty of historical...

The painter gazes at his female model, or how voyeurism is transformed into culture. An erotic adventure film where the theme is the viewer himself.

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

Makimono is an Asian roll painting depicting a landscape. The subject of the film is the language of film itself, its mutability and its influence on...

Other essential predecessors of film were those devices that created the illusion of motion by taking advantage of the persistence of vision and the...

Picture montage was a central aspect in the early history of visual media. As early as the 16th century, techniques such as the folding picture...

A film by Werner Nekes.

A part of Werner Nekes' lyrical anthology DIWAN.

According to the director, "Memory is a cruel hope without awakening."

Reel 27 of Gérard Courant’s on-going Cinematon series.

"KELEK belongs to the 'structural' or 'minimal' cinema movement in that its content is subordinated to the viewer's perception and has no intrinsic...

A part of Werner Nekes' lyrical anthology DIWAN.