Takahiko Iimura Filmes

“ONAN is a work about desire (masturbation) which has no object but itself. The appearance of the large egg objectifies the man's desires....

"10 minutes of the act of creation itself run through close up and magnifying lenses. " -T.I.

"Double Portrait" and "I Love You" are a paired piece with Akiko Iimura. Both Iimuras play individually as well as a unit. In "Double Portrait" they...

Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there...

A super-real comedy with Sho Kazakura. The film is divided in to a number of very short scenes or chapters, each with a title "A,B,C" at random. we...

An attempt at time travel in a very conceptual sense.

In 1973 the Kino Arsenal – then in its Welserstraße location in Berlin-Schöneberg – showed a programme of videos by the...

One of the earliest minimalist video with flicker effects was produced in Tokyo in early 1970s. A flickering video with eyes, which super-impose the...

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.

Yomiuri Independent was an annual show between 1949-1963 that exhibited all art that was submitted. Artists in the early 60s began to take advantage...

'What I am concerned with in this film is not only the flicker effect, but also the coming and going of an eye-like shape on screen which was created...

A boy and a girl in a small room, having a fight, making love and suddenly . . . a black humor on a young couple.—Takahiko Iimura, Paper Film:...

Short film for the "A Commercial for Myself" programme.

A precedent to Iimura's video work where he becomes his own subject, I Saw the Shadow sees Iimura follow his own shadow in and out of vision as he...

"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...

"The Making..." showed not only the process of film-making, but also the creation of "MA" as a work.

This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

A voice performance by John Cage who "reads", "vocalizes" and "whispers" in three different manners his artificial language taken from "Finnegens...

Cameras once again observing each other.

In “A Rock In The Light”, I requested the music of Haruyuki Suzuki, a contemporary composer. This music is unified with the image, which...