Boris Lehman Filmes

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007...

Portrait of Richard Kenigsman by Boris Lehman.

This film is based on the true story of Jean Bella, who served as an officer in the Belgian Marine while being convinced, from an early age, that he...

"Babel / Letter to my Friends who Stayed in Belgium" narrates the day-to-day existence of a filmmaker wandering through his city (Brussels) and who...

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the...

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert...

To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic...

During the filming of "Jeanne Dielman" Sami Frey recorded what was happening on the set. A film about a film in the making.

A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the...

Symphonie mixes fiction with reality. The author, Romain Schneid, tells the story of his own claustrophobia in front of the camera when, when he was...

Film director Boris Lehman returns to Lausanne, where he was born on 3 March 1944, at the end of the war.

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site...

A dialogue based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of themselves...

"L'Artifice et le factice" is the episode that covers the period from January 1, 1988 to December 31, 1988 of my filmed Notebooks.

The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice:...

The veneer of the story is a tale of chance love: two French expatriates strike up a chance romance when they meet on a ship headed back to South...

The short film is like a journal page of film making. On making a film (in 1966) in Barcelona. On assembling together surviving fragments of the...